Soderbergh should be ashamed and Rooney Mara might have been dissuaded from taking the part. The “tragic” plight of the wife here is a hoax. The virus in Contagion was not a setup for a commercial killing. But that’s the film he begins, so he merits more than regret over dumping them. ![]() Steven Soderbergh was not obliged to make a film about those subjects. These would include how we make a bargain with a rescuing drug that has side effects how the medication is linked, or not, to psychotherapy how the drug companies push their new products on doctors and the very delicate legal and ethical position for the therapist. The side effects we have been promised have nothing to do with medication and mental condition, and everything to do with the kind of hokey criminal intrigue that once attended actresses like Joan Crawford.Įvery pregnant issue is abandoned. Writers reviewing films are supposed not to spoil the endings of pictures-but what do you do when movies have spoiled and trashed themselves? There are early clues in the film to suggest that the psychiatrist is a fool, while the patient is not and Mara is a better actor than Law. She sleepwalks and then one day when her husband comes home she turns from cutting up red peppers and puts the knife in him several times in important places. This is Rooney Mara, the girl with the wounded eyes, who is acting like a warning signal. One thing leads to another, and when regular drugs don’t work, she gets “Ablixa”. He thinks she needs to stay in hospital, but no, she has to leave for her husband’s sake. We see it a parking attendant sees it.īut she doesn’t kill herself, so Banks takes on her case. The woman is on the brink of suicide: She alerts a cop that she’s thinking she might throw herself under a subway train and then she drives her car into the wall of an underground parking garage. He now seems inclined to return to his old ways, with a man he met in prison who has exciting ideas. ![]() ![]() Emily’s husband has just come out of prison, where he served time for insider trading. This film seems to be a study of what happens to a young wife, Emily (Rooney Mara), under such stress that she is put on a new drug by a psychiatrist, Dr Banks. Jude Law as this shrink is a stretch, but Rooney Mara as a depressed woman seems a natural. Burns and directed by Steven Soderbergh, who collaborated on Contagion, an effective if routine medical procedural. In advance, the movie sounds intriguing, and it is written by Scott Z. Fifty-seven years later, maybe half the people in a theatre watching Side Effects are on some medication.
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